Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Anders Zorn
Boslanders

ID: 87217

Anders Zorn Boslanders
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Anders Zorn Boslanders


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Anders Zorn

Swedish 1860-1920 Swedish painter, etcher and sculptor. He was brought up by his grandparents at Mora. As he displayed a precocious talent for drawing he was admitted to the preparatory class of the Kungliga Akademi for de Fria Konsterna, Stockholm, at the age of 15. Dissatisfied with the outdated teaching and discipline of the Academy and encouraged by his early success as a painter of watercolour portraits and genre scenes (e.g. Old Woman from Mora, 1879; Mora, Zornmus.) Zorn left the Academy in 1881 to try to establish an international career. He later resided mainly in London but also travelled extensively in Italy, France, Spain, Algeria and the Balkans and visited Constantinople. However, he continued to spend most of his summers in Sweden.  Related Paintings of Anders Zorn :. | mrs walter bacon | Halsey Cooley Ives | junikvall | stora bryggeriet | Duke of Narke |
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Charles de La Fosse
(June 16, 1636 - December 13, 1716), French painter, was born in Paris. He was one of the most noted and least servile pupils of Le Brun, under whose direction he shared in the chief of the great decorative works undertaken in the reign of Louis XIV. Leaving France in 1662, he spent two years in Rome and three in Venice. The influence of his prolonged studies of Veronese is evident in his "Finding of Moses" (Louvre), an in his "Rape of Proserpine" (Louvre), which he presented to the Royal Academy as his diploma picture in 1673. He was at once named assistant professor, and in 1674 the full responsibilities of the office devolved on him, but his engagements did not prevent his accepting in 1689 the invitation of Lord Montagu to decorate Montagu House. He visited London twice, remaining on the second occasionetogether with Rousseau and Monnoyer more than two years. William III vainly strove to detain him in England by the proposal that he should decorate Hampton Court, for Le Brun was dead, and Mansart pressed La Fosse to return to Paris to take in hand the cupola of Les Invalides. The decorations of Montagu House are destroyed, those of Versailles are restored, and the dome of the Invalides (engraved, Picart and Cochin) is now the only work existing which gives a full measure of his talent. During his latter years La Fosse executed many other important decorations in public buildings and private houses, notably in that of Crozat, under whose roof he died on 13 December 1716. This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press.
Peter Buell Porter
(August 14, 1773 - March 20, 1844) was an American lawyer, soldier and politician who served as United States Secretary of War from 1828 to 1829. He graduated from Yale College in 1791, studied law in Litchfield, Connecticut, was admitted to the bar, and commenced practice in Canandaigua, New York in 1793. He served as clerk of Ontario County from 1797 to 1804 and was a member of the New York State Assembly in 1802 and again in 1828. In the fall of 1809, Porter moved to Black Rock, New York and was elected as a Democratic-Republican to the Eleventh and Twelfth United States Congresses, serving from March 4, 1809 to March 3, 1813, but declined renomination. During his service in Congress, he was a leading figure among Congressional "war hawks" and Chairman of the Committee that recommended preparation for war with Great Britain. At the same time, from 1810 to 1816, he was a member of the Erie Canal Commission, a commission on inland navigation established in 1810 by the New York state Legislature to survey a canal route from the Hudson River to the Great Lakes. During the War of 1812, Porter was initially quartermaster general of the New York State Militia from May to October 1812. He participated in and criticized General Alexander Smyth's abortive operations against British Canada in 1812, culminating in a bloodless duel between the two. The historian John R. Elting wrote of the duel, stating "Unfortunately, both missed."[1] He later raised and commanded a brigade of New York militia that incorporated a Six Nations Indian contingent and led his command with distinction. For his actions, he was presented a gold medal under joint resolution of Congress dated November 3, 1814 "for gallantry and good conduct" during the Battle of Chippewa, the Battle of Niagara, and the Battle of Erie. Porter was Secretary of State of New York from February 1815 to February 1816. He was also elected to the Fourteenth United States Congress. Although his term in Congress began on March 4, 1815, the actual Session began only in December, and he took his seat on December 11, 1815. On January 23, 1816, he resigned, having been appointed a Commissioner under the Treaty of Ghent, which caused a controversy as to the constitutionality of sitting in Congress and holding this commissionership at the same time. In 1817, his political friends of Tammany Hall printed ballots with his name and distributed them among their followers to vote for Porter for Governor of New York at the special election which was held after the resignation of Governor Daniel D. Tompkins. DeWitt Clinton, the otherwise unopposed candidate, was fiercely hated by the Tammany organization, and Porter received about 1,300 votes although he was not really running for the office. Porter became a regent of the University of the State of New York in 1824, and served in that capacity until 1830. From May 16, 1828 to March 9, 1829, Porter served as Secretary of War in the Cabinet of President John Quincy Adams, and was an advocate for the removal of Eastern Indians beyond the Mississippi. He moved to Niagara Falls in 1836 and was a presidential elector on the Whig ticket in 1840. He died at Niagara Falls in 1844, and was interred in Oakwood Cemetery. Fort Porter and Porter Avenue at Buffalo were named in his honor.
Master Francke
German painter (early 15th century, active in Hamburg). respectively German for "Master Francke" and Latin for "Brother Francke", was a North German Gothic painter and Dominican friar, born ca. 1380 in the Lower Rhine region or possibly Zutphen in the Netherlands, who died ca. 1440, probably in Hamburg, where he was based at the end of his known career. He is called "Fratre Francone Zutphanico" ("Brother Frank of Zutphen") in one document. He may have trained as an illuminator and painter in France or the Netherlands, and later worked in Munster, before joining in St John's Friary in Hamburg by 1424 at the latest. Two main altarpieces attributed to him survive, dedicated to St Thomas of Canterbury and Saint Barbara, in an unusually intense style, showing awareness of French and Early Netherlandish court art. He probably arrived in Hamburg after the death in 1415 of the previous leading artist there, Master Bertram, and shows little or no influence from him, but he may have been influenced by the more courtly style of Conrad von Soest, about ten years older than Francke, who worked to the south in Westphalia. The Hamburg association of traders to England commissioned an altarpiece from "Mester Francke[nn]" in 1424; the contract does not survive, but is mentioned in their memorial book. This is probably the "St Thomas (of Canterbury) Altarpiece", completed in 1436, of which parts survive in the Kunsthalle, Hamburg. The rather earlier St Barbara Altarpiece may have been commissioned for Finland, where it surfaced a century ago. The "Thomas Altar" has eight surviving scenes, but is missing its main panel and several others. The "Barbara Altar" has also eight scenes, on both sides of the wings to a carved wood central panel by another artist. At least two other panels are in museum collections. Francke was almost entirely forgotten after the Renaissance until the end of the 19th century when, like Master Bertram, he was rediscovered and published by Alfred Lichtwart, Director of the Hamburg Kunsthalle






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